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slumbering
 Biography
 Members: slumbering
 Location: AMERICA NORTH: USA: California (CA)
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 Genre: Other
 URL: Click to visit

 Plays: 15,842
 Streams: 8,948
 Downloads: 6,894

 Band Rating: 4 (41 votes) - Vote Now
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Remix Widow of Hope
posted by: slumbering posted: 01 Dec 2008 10:54 AM
I did a subtle remix, as i thought the opening "piano" sounded harsher than what i wanted. Also clipped and edited out some vocal things that had always annoyed me. I think this version is slightly better.

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Happy Halloween! A couple of things...
posted by: slumbering posted: 31 Oct 2008 09:50 PM
I am on the EPILEPTIC GIBBON PODCAST MUSIC SHOW, for tonight's special Halloween edition! I am very excited! I've already listened to it and it's a fantastic, energetic and very FUN show, despite the inclusion of my rather grim song, From a Coffin. This is Episode 19 of Eppy's podcast and it's called:
The Girl Who Was Death Also, i've chosen this page template temporarily for a couple of days. It's not my favorite template of the lot but it does have a black background and displays my Halloween photo nicely. That's my little cat, Grendelina, standing so prettily near the pumpkins. :)

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Rebsie Fairholm has covered my song, From a Coffin
posted by: slumbering posted: 01 Sep 2008 07:34 PM
I am so elated, it's indescribable. She's done a sublime and beautiful rendition, and it can be heard here: From a Coffin - Rebsie

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The Music is Gone
posted by: slumbering posted: 16 Aug 2008 07:45 PM
I know people go through stages but i can tell, i can just tell that it's never coming back. This well is dry. There won't be any more music from me. I guess that's good news for anyone who felt obligated to listen to it before. But it's bad news for me. I don't have much else to do that is meaningful.

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Collaborations
posted by: slumbering posted: 29 Dec 2007 08:35 AM
Besides the songs listed as collaborations on my jamroom page, there are a few more songs of which i've been part and it's important to me to acknowledge them here in my jamroom. All these songs can be heard on my MacIDOL radio station, Songalong. The latest: A Band-Mate of Years, by Me and Boris the Bull. Beautiful expression of pain. Circulus Vitae II Gaze at the Sun By Deadman Turner Turn Away, Yesterday with Frogmorton Warm by Maggie Osterberg L M D O by Paul Brazier Listening Dream Everybody's Body is an Ocean (Yeah!) By Stuart "Gumbo" Walker Bass on Everybody's Body is an Ocean is by Steve Jay aka B&Massa MO did another mix of Songalong, and added piano, here: Songalong (MO's Remix) Songalong with James Bouchard (This is a song that i offered up for a MacIDOL group collaboration, just the bare bones of what i had done then. Unfortunately, it didn't go far. Bill Josey did one more addition but it's not available on his page (he added a very nice touch, though). All my other collabs can be found in my jamroom. Another song i wanted to mention isn't exactly a collaboration but it's a song James came up with after trying to decipher the lyrics to one of my songs, I R C. It's called To Slumber

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A Band-Mate of Years
posted by: slumbering posted: 27 Apr 2008 03:09 AM
It's such a privilege to me to have sung backing vocals on the latest Me and Boris the Bull song, A Band-Mate of Years. It's a beautiful expression of deep pain and such a powerful song. I feel honored to be part of it, even though it doesn't need my backing vocals at all. It's a beautiful song. And i get to have it on my radio station of collaborations i've done! Woohoo! (That's the one called Songalong, which can be found somewhere here on my MacIDOL site...)

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Frogmorton - Turn Away, Yesterday
posted by: slumbering posted: 28 Feb 2008 05:37 AM
I feel so happy and charmed to have done a song with Frogmorton (aka Matt Duane Griffin). The song is Turn Away, Yesterday. It's been a good experience for me to be part of this song, with someone i admire so much.

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Isabella Underground
posted by: slumbering posted: 29 Feb 2008 11:37 PM
I am surprised and happy with how this turned out, as it is such an old song and i am never usually happy with how those turn out. The structure is exactly the same. The only difference is in the instruments i used and a few of the lyrics. But it was always "Isabella, i've found....," etc, and "there's a way through..., etc." First, she is in a shambles and ruined, and stuck. Then she is called. She travels under the earth. One thing i never really knew is what she would find there. I did see lava and hotness but didn't realize its full importance and that she would be melting in it. She is cleansed and completely free of herself, dissolved. She is pure. It is so good to finally understand and yet, the song is truly as it always has been. It is so hard to explain. It feels realized, though. To me.

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Updated Versions - Briar Roses, O, Charming, Over the Sea, Going to the Garden
posted by: slumbering posted: 21 Jan 2008 04:51 AM
Sorry, something always seems to happen and i won't hear it until it's been uploaded for some time. I remixed both Briar Roses and O. Mainly, i adjusted the volumes of the vocals and tried to make things a bit smoother. I tried to bring out some of the instruments more in O, too, but it still sounds too muddled, although i am at least slightly happier with it. I also resang and remixed Charming a while back but not too long ago. I took the key down one. The recording that i first put up i didn't care for at all and i am not sure why i even put it up. The song itself has special meaning for me and was written when i was very young but can't seem to capture the feeling of it. I think the new version is better but i still am not happy with it. The one i put up before, though, was really almost stabbing to the ears in some places, certain instruments and i was stretching my voice. When i wrote the song i had a higher range but as i am getting older it's not quite the same. I can sing the high notes in some ways but not in others... if that makes any sense. My voice doesnt' seem to be as flexible as it used to be. Or something. Over the Sea has not only been extended but after posting the longer version, i played with the AU equalizer in GB and brought the drums back out. Something happened to them between the versions where they sort of got muffled and those aren't the sort of drums that i want to be muffled. So, i hope this version is better. It sounds better to my ears. Lastly, (for now) i tried to fix Going to the Garden. I always wanted the bass to be loud and kind of oppressing but i hadn't intended it to have that ridiculous amount of distortion. So i took the volume of that down a bit. I hope it sounds better now.

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Wrapping things up
posted by: slumbering posted: 30 Jan 2008 08:10 PM
I have to finish sending out my packages. I have to get things clean and in order. Things must be resolved. I have put things off for too long and it is all weighing so heavily on me. I am going to finish preparing the packages, i'll have them sent out. I am going to clean everything. I am going to have a bath, too. Once everything is clean and i am clean, i'll be ready for it all. I don't know how to explain it all but i must be prepared for the night and all that is to come. Something very magical is going to happen.

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Sorry
posted by: slumbering posted: 28 Nov 2007 02:15 AM
I apologize and am very sorry for being so annoying. I'd post this in the forum but i was thinking that might be too annoying. ;( I don't know what to do. ;( ;( ;(

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From a Coffin (previously posted but unintentionally deleted)
posted by: slumbering posted: 11 Jan 2008 08:15 PM
26 Jan 2006 07:39 PM This song is not about a premature burial or being buried alive. It is about being dead in a coffin but being aware of being dead and buried and trapped in the coffin. It is my attempt to try to express something that i'm not sure can be expressed: a very bad episode of derealization that i had a few years ago. It was most intense for about five days and then began to decrease and now it's sort of dormant. But it's never completely gone, it is always kind of looming there, and i am so afraid it will come back. I couldn't take going through that again. When i was in the midst of it i couldn't explain to anyone what was going on. There was no way. A terrible feeling, all i can say is that it's an isolating feeling, like i am not in the world but i see it right there, right there, and can't get in. And it's very physical as well as psychological. It's the most scary thing i have ever experienced, a nightmare that i couldn't wake up from. Even now, i often feel like my own body is a coffin, and i just want to be free. However, this is not the experience itself but a song and so blah blah blah.... The song is meant to sound slightly dissonant. I experimented a lot with my voice, it is really different and strange sounding here. It bothers me because i think i sound like i'm imitating Kate Bush (a heroine of mine) but i wasn't actually imitating her, what i was doing was trying to sound corpse-like. But she is a great influence on me, so it makes sense. And i'm also sorta stoked that i hear her in my voice now. The notes hit the worst place in my throat, too, that yawny area, but i didn't feel like i could change the key too much as the high parts would be pushed higher and i can't sing as high anymore. I wrote the music for this a way-long time ago, and the words i put together this month. I never was sure what it was about until recently. Part of the melody sounds so familiar to me that i am almost afraid it's another song, but maybe that is because i wrote it so long ago. Notes on the lyrics: "My love" Not necessarily a lover, but could be. All those i love, or any one of them. Life, even. "I'm longing for the world that i love" Mourning for the world's beauty that i am not part of. "I can't forget, i can't let go" Because i am aware, if i weren't i would be better off. "Feel it soften" Need softness, ease, i am like metal that hurts, i want soft comfort. "to feel the earth," "birth of Spring" Want to really feel these things, really be part of them, it hurts not being able. "Of ascent" Not "a scent." I want to ascend and be free in the sky. "I ache for your skin" Not sexual. I want to feel your warmth. I want to be with you. I want to be part of you and part of life. I ache to have my own living skin. "I need to breathe" From one of the days in the peak of the derealization, when i tried, literally, to shake it out of myself. If someone had seen me, i don't know what they'd have thought. But it occurred to me that i might be able to scream and shake it out of my body, so i ran about, shaking my whole body and screaming. It didn't work. "rest" If i can't be free, let me not be aware at all, let me rest in peace. The music was written a long time ago, in the late eighties. I had different ideas but was never sure what it was really about. I am trying to express something that can never be expressed. (This is from 26 Jan 2006 07:39 PM)

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Track Info: Tesseract
posted by: slumbering posted: 12 Jan 2007 01:07 PM
All drums are loops, as usual (and there are lots of different drums in this song). The software instruments were all played on my keyboard. Track One - Loop Shaker: La Marca Cabasa 02 Track Two - Software Instrument Guitars: 12 String Chords 'Twas tweaked, with audio settings in Track Info Tracks Three & Four - Loop Drum Kit: Southern Beat 02 Track Five - Loop Drum Kit: Trip Hop Underwater Beat Sliced and diced and tweaked Track Six - Software Instrument Guitars: 12 String Acoustic Tweaked with audio settings Track Seven - Software Instrument Guitars: 12 String Acoustic Tweaked with audio settings Track Eight - Software Instrument Synths: Cloud Break Track Nine - Loop Drum Kit: Skiffle Drumset 03 Tweaked almost beyond recognition Track Ten - Software Instrument Guitars: Twangy Strumming Tweaked with audio settings Track Eleven - Loop Drum Kit: Motown Upbeat Fill 15 Tweaked and chopped into bits Track Twelve - Loop Drum Kit: Bar Band Basic 05 NOT Tweaked! Wow. Tracks Thirteen, Fourteen, Fifteen - Real Vocals: Male Rock Vocals, reset track echo to Rockabilly, lowered echo time on two tracks, left it as is on third track Track Sixteen - Real Vocals: Ambient Track Seventeen - Software Sound Effects - Transition FX Track Eighteen - Software Synth Pads - Glassy Ascent I reversed the "let's go through the looking glass" chorus in Audacity and pasted it in to the last part of the song and also once midway through. A brief explanation of what tweaking i did, as i am really tired - For the drum loops, i basically just chopped them up a lot and deleted or moved certain beats. For one of the drum loops, as well as the chord guitars, i used the AUMatrix Reverb and some Rockabilly echo that i toned down manually.

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Track Info: I Know the Way
posted by: slumbering posted: 30 Jul 2006 08:27 PM
Track 01 - Acoustic Guitar Effect: Real Instrument --> Guitars --> Acoustic Guitar Echoes Track 02 - Tinkling Bells Software Instrument --> Orchestra Percussion Kit --> Keys: F,F#,G Track 03 - Organ Software Instrument --> Organs --> Orchestra Toccata Organ Panned -16 Track 04 - Vocal Effect: See track info for My Dark Side (scroll down) Track 05 - Drums Loop - Percussion Combo 50

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Track Info: Songalong (with MO)
posted by: slumbering posted: 11 Jul 2006 06:33 PM
Track 01 - Synth Software Instrument --> Synth Textures --> Skye Breath Track 02 - Drums Loop: Remix Tambora 02 (located in Percussion section of loop browser) Track 03 - Bass Software Instrument --> Bass --> Reggae Bass Track 04 - Synth Software Instrument --> Strings --> Solace Track 05 - Guitar Guitar by Mark Olafsson aka MO Track 06 - Interference/Static Sound For this, i just pressed the record button and recorded some white noise. Then i used this effect: Real Instrument --> Effects --> Celestial Spring In the second dropdown menu, I changed Flanger to Bitcrusher --> Manual Panned -16 Track 07 - Vocals Effect: Real Instrument --> Effects --> Telephone Lines Changed Equalizer setting to Hi-Fi Panned -16 Track 08 - Vocals Effect: Real Instrument --> Vocals --> Ambient Vocals In first dropdown menu, changed Tremolo setting to Circular Structure In second dropdown menu, selected Track Echo --> Cycling Set Equalizer to Hi-Fi

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Track Info: My Dark Side
posted by: slumbering posted: 06 Jul 2006 01:43 AM
My Dark Side: Track Info Track 01 - Bell Sound Software Instrument --> Mallets --> Orchestra Glockenspiel Panned -16 Track 02 - Synth background Software Instrument --> Mallets --> Aurora Bell Generator: Digital Basic --> Glassy Pad 1 Track 03 - Bass Software Instrument --> Bass --> Latin Baby Bass Track 04 - Recorder Software Instrument --> Woodwinds --> Medieval Recorder Panned -48 Track 05 - Cello (Melody) Software Instrument --> Strings --> Fitch Cello Panned +47 Track 06 - Cello (Chords) Software Instrument --> Strings --> Fitch Cello Track 07 - Drums Loop (MIDI) - Jazzy Rock Drums 20 I altered this loop, snipped out a crashy beat or two Track 08 - Piano Software Instrument --> Pianos and Keyboards --> Grand Piano Track 09 - Vocal My very own setting that i created! I called it "Special Rockabilly" To create it, i started with Real Instrument --> Vocals --> Female Rock Vocals Then, adjusted these settings: In first dropdown menu, selected "Overdrive" and (clicking on pencil icon) pushed Output Level up to about 3/4. In second dropdown menu, set Track Echo to "Rockabilly." Pushed the Echo (below the Equalizer) down to the same position on the slider as is the Reverb. Panned +43

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Track Info: The Dragons
posted by: slumbering posted: 12 Jun 2006 06:06 AM
Track One Drums Created loop using my keyboard on a 3/4 (waltz) setting, then running it through the midi into GB and using settings Software Instruments --> Drums Kits --> Studio Heavy Kit. From that loop, created several more variations and used these throughout the track. Track Two Drums (during lines "I am no George...") GB Loop, Mitzvah River Drums (i chopped this slightly and varied the volume). Track Three: Synth Software Instrument --> Synth Textures --> Sandoway Ricochet Track Four Synth (Intro only) Software Instrument --> Synth Pads --> Tranquil Horizon Tracks Five & Six Synth Software Instrument --> Synth Pads --> Tranquil Horizon panned -32, +32 Tracks Seven & Eight Strings Software Instrument --> Strings --> Orchestra String Ensemble panned -32, +32 Track Nine Piano Software Instrument --> Pianos and Keyboard --> Grand Piano on Stage Track Ten Bass Software Instrument --> Bass --> Low Rent Tracks Eleven & Twelve Vocals (Intro Only) Real Instrument --> Vocals --> Female Basic Equalizer set to Reduce "S" Equalizer set to Hi-Fi Track Thirteen Vocal Real Instrument --> Vocals --> Female Basic Used Spitfish plug-in to reduce plosive stuff Equalizer set to Hi-Fi Tracks Fourteen, Fifteen, Sixteen, Seventeen Vocals Real Instrument --> Guitars --> Dreamy Shimmer panned -48, -32, -48, +48 Track Eighteen Vocal (Whispered) Real Instrument --> Effects --> Celestial Spring

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Track Info: Marginal
posted by: slumbering posted: 12 Jun 2006 06:07 AM
Track One: Played my acoustic guitar into the mic, with settings in GarageBand as follows - Real Instrument --> Guitars --> Arena Rock Panned +32 Track Two: Vocal, with Pop Vocals effect Panned -32

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Track Info: The Shed
posted by: slumbering posted: 08 Jul 2006 07:04 PM
I did this song one night last Spring, when i was sorta out of it, a bit intoxicated, too. If i can remember, i think i thought i was recording the playing and singing at the same time (which is not possible on mine), and had both the keyboard and microphone hooked up through the USB ports, but only the keyboard got recorded, so i had to sing the vocal again. Track 1: Piano Software Instrument --> Pianos and Keyboards --> Orchestra Steinway Track 2: Vocal Vocal Effect - Female Rock Vocals with Reverb pushed up more.

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Track Info: I Can't Contain Myself
posted by: slumbering posted: 25 Apr 2006 02:16 AM
I Can't Contain Myself Tracks 1 & 2 (Piano) Software - Orchestra Steinway Piano The same piano track, just copied and pasted to the second track. Track 1 is centered Track 2 is panned to -16, Reverb pushed up to 2/3, Echo pushed up very slightly, Equalizer set to "Bass Boost" * Track 3 (Piano) Software - Orchestra Steinway Piano Did the bridge section on a third track, in order to let it blend over at the change. * Track 4 (Bass) Software - Muted Electric Bass * Tracks 5 & 6 (Hazy cymbal "sssshhhh" sound) Loop, Real - Pop Egyptian Sky Beat 2 Started at track 5 a few beats earlier, started at track 6 later, blended volumes to stretch it out. Added Tremolo to both. * Track 7 (Drum, short fill) Loop, Real - Pop Sure Step Beat Chopped a bit Set to Drums -> Edgy Drums Set to Overdrive, Amp Simulation, Equalizer to Bass Boost, Reverb at midpoint, very slight Echo * Track 8 (Drums) Loop, Software - Pop Let It Ride Beat * Track 9 (Drums) Loop, Software - Pop Disco Returns Beat * Track 10 (Drum, hard hits at Chorus) Software - Drum Kits -> Cavern Kit (Ugh, i don't remember which key i hit!) Overdrive, Equalizer to Big Drum, Reverb ALL the way up, very slight Echo * Track 11 (MIDI Mosh - MuHaHaHaHa!) Software - Guitars -> Mosh Pit Added Tremolo, Reverb at 2/3, Equalizer to Hi-Fi (Just banged out single notes on keyboard.) * Tracks 12 thru 21 (Vocals) Vocals -> Male Rock Vocals - Track Echo to Slap Back, Equalizer to Clear Vocals, Reverb pushed to about 40% Vocals -> Ambient Vocals - No adjustments, just the straight Ambient Vocals effect (this effect has the Tremolo in it). People have made positive comments about the piano, but it is actually the easiest playing i have done - just "Heart & Soul" type chords. Very simple bass line to play, too. I did most of the tweaking with the drum sounds, as you can see, i used quite a lot of drums in this one. And a lot of playing around with the vocals to get a sort of "unglued," or "spilling," or "coming apart" sound, which i am not sure is successful.

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Track Info: From a Coffin
posted by: slumbering posted: 26 Jan 2006 07:39 PM
From a Coffin All are software instruments except for the vocals. (I did not pan anything this time, except for the Cello and the vocals in one small part of the song, as i am in the midst of some confusion about it after not being able to hear the difference on something else i was working on.) Church Bell (Mallets) The main one i used, however, is with a generator called "big ben bell" from a plug-in that i can't figure out what it is... yikes! Electric Slumber (Synth Pads) Muted Electric Bass (Bass) Grand Piano Punchy, with reverb pushed up midway (Done on two tracks but not layered over.) Fitch Cello, courtesy Claire Fitch (I signed up at MacJams just to get this, haha!) For first verse, just one track, not panned. For second verse, two tracks, panned +32 and -32 (And now i realize i have been writing the pans down WRONG all along!) Orchestra Cathedral Organ (Organs) Drums: RnB Arabian Night Beat Vocal Effect: Male Rock Vocals For some of the vocals, pushed reverb up midway. Panned left then right on the "don't go" after the "let me return" phrases.

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Track Info: Bella Blue
posted by: slumbering posted: 29 Oct 2005 11:19 PM
Bella Blue Tracks 1 & 2 (Drums): Software Instrument - Studio Heavy Kit Waltz style from keyboard through midi, then selected Studio Heavy Kit, made loops, edited beats. * Tracks 3 & 4 (Cellos): Software Instrument - Orchestra Cello Section Panned L3, R4 * Track 5 (Synth Pad): Software Instrument - Tranquil Horizon * Track 6 (Sonar Ping): Sonar Ping, sound clip * Tracks 7 & 8 (Strings): Software Instrument - Xtra Bass Section Staccato Panned L2, R2 * Tracks 9 & 10 (Piano): Software Instrument - Moody Grand Piano Panned L2, R2 * Track 11 (Ocean): Ocean waves, sound clip * Tracks 12 & 13 (Strings): Software Instrument - Orchestral Strings Panned L4, R4 * Track 14 (Bass): Software Instrument - Orchestra Bass Section * Tracks 15 & 16 (Guitar): Software Instrument - New Surf Lead Panned L3, R3 * Tracks 17 & 18 (Main Vocal): Female Rock Vocal effect, with adjustments - checked Chorus box, both Echo and Reverb at about 25 Panned L3, R3 * Tracks 19 & 20 (Vocal at "Sweet Serena..."): Ambient Vocal effect Not panned, word "sweet" sort of blended

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Track Info: Ven Aqui
posted by: slumbering posted: 26 Apr 2005 05:13 AM
Ven Aqui Played acoustic-electric guitar, connected using the Boris Method. Recorded in mono, duplicated and copied track, panning one fully left and one fully right. * Added chorus accents with same guitar, also duplicated, panning one track somewhat left and the other somewhat right. * Added more accents with "tremor strings" on the keyboard. Also panned left and right. * Added even more accents with background vocals, which I'm afraid muddied the chorus (but, for the time, i'm too tired to fix that). * All vocals done with "Female Rock Vocals" effect, panned about.

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Track Info: The Loneliest Ghost
posted by: slumbering posted: 08 Apr 2005 09:30 PM
The Loneliest Ghost Track 1: Wind Sound Effect * Track 2: Drums (made loop from Beguine style on keyboard) * Track 3: Bass (made loop following Beguine style) * Track 4, 5: Drums, Bass, Chords (Beguine style from keyboard) * Tracks 6, 7, 8, 9: Vocals, panned -3, -1, 2, 3 (Female Basic) * Tracks 10, 11: Vocals, panned -4, 4 (Epic Diva with Automatric Reverb "Cathedral") * Track 12: Guitar (voice on keyboard), with Distortion, Amp Simulation, Echo at about 40, Reverb at 100 * Track 13: * Saxophone (voice on keyboard), panned 1, Reverb at about 75 * Track 14, 15: Church Organ (keyboard voice), panned -4, 4,

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Track Info: October
posted by: slumbering posted: 08 Apr 2005 09:29 PM
Update, November 8, 2005 I adjusted this song as follows: Drums are centered and have higher volume. Xylophone now has a tremolo effect so that it moves around. Changed from orchestral strings to orchestra string ensemble. October Track 1 (Drums): Real Instrument - Keyboard. I created a loop from a waltz style on my keyboard. * Tracks 2 thru 5 (Strings): Software Instrument - Orchestral Strings; Effects Used - Compressor, Equalizer, AUMatrixReverb, Echo, Reverb * Tracks 6 thru 10 (Piano): Real Instrument - Keyboard. Effects Used - Equalizer, AUMatrixReverb, Echo, Reverb * Tracks 11 thru 13 (Bass): Software Instrument - Trance Bass; Effects Used - Equalizer, Track Echo, Echo, Reverb * Tracks 14 & 15 (Bass): Software Instrument - Upright Jazz Bass; Effects Used - Echo, Reverb * Track 16 (Eerie Sound Effect): Software Instrument - Aurora Bell (Mallets); Effects Used - Equalizer, Tremolo, Echo, Reverb * Tracks 17 & 18 (Shimmery Sparkle Sound): Real Instrument - Keyboard; Effects Used - Echo, Reverb * Track 19 (Xylophone): Real Instrument - Keyboard; Effects Used - Echo Reverb * Tracks 20 thru 29 (Vocals): Real Instrument - Microphone; Effects Used - Epic Diva and Ambient Vocals * Tracks 30 thru 32 (Vocals): Real Instrument - Microphone; Effects Used - Epic Diva with Amp Simulation added * Tracks 33 & 34 (Distorted Vocal): Real Instrument - Microphone; Effects Used - Pop Vocals with Distortion added (Distortion4)

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Track Info: A Pool of Tears
posted by: slumbering posted: 08 Apr 2005 09:31 PM
A Pool of Tears Tracks 1 & 2: Keyboard Drums with Edgy Drums effect, panned -1, 1 * Track 3: Bass with Fingerstyle Electric effect * Tracks 4 & 5: Keyboard, Swirling Droplets effect, panned -4, 4 * Tracks 6 & 7: Keyboard, Orchestral Strings effect, panned -2, 3 * Tracks 8 & 9: Keyboard, Orchestral Strings effect, panned -3, 3 * Track 10: Keyboard Honky Tonk, panned -1 * Track 11: Keyboard Honky Tonk, panned -1 * Track 12: Scratchy Record sound effect, panned -1 * Track 13: Gramophone Vocals, made with Distortion 2 and Amp Simulation (American Clean), Sharpness and Reverb * Tracks 14 & 15: Keyboard, Bouncer effect panned -2, 3 * Tracks 16 & 17: Keyboard, Grand Piano, panned -3, 2 Tracks 18 & 19: Keyboard, Tremolo, Treble Reduction, Echo, Reverb, panned 3, -3 * Tracks 20, 21, 22: Vocals, panned -3, 0, 3, Ambient vocals on 0 * Tracks 23, 24, 25: Vocals, panned -2, 0, 3, Ambient vocals on 0 * Tracks 26, 27, 28: Background Vocals, panned -4, -2, 4, Epic Diva vocals on -4 * Tracks 29, 30, 31: Background Vocals, panned 4, -4, 4, Epic Diva vocals on 4 * Tracks 32, 33, 34, 35: Assorted Water Effects *

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Track Info: Flower Song
posted by: slumbering posted: 27 Apr 2005 06:26 AM
Flower Song Guitar, acoustic, strummed into built-in mic * Guitar, acoustic, arpeggio-ed into built-in mic, dreamy shimmer effect added * Drum loop, can't remember which, but came with GarageBand * Bass, played on keyboard * Vocals, sung * Background vocals, yelped

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Track Info: BananAssassin
posted by: slumbering posted: 08 Apr 2005 10:47 PM
BananAssassin Done all with loops * Track 1: Loop - Secret Agent Guitar 3 * Tracks 2, 3: Loop - Secret Agent Guitar 4, Panned -3, 3 * Tracks 4: Loop - Secret Agent Guitar 2, Panned 3 * Track 5: Loop - Deep House Dance Beat 2 * Track 6: Loop - 80s Pop Beat 9 * Track 7: Loop - Effected Drum Kit 3 * Tracks 8, 9: Loop - Orchestra Strings 7, Panned -3, 3 * Track 10: Loop - Single Kick 1 * Tracks 11, 12: Loop - Long Crash Symbol 3 * Track 13: Loop - Conga Groove 9 * Track 14: Loop - Latin Lounge Piano 8 * Track 15: Loop - Latin Lounge Piano 9 * Track 16: Background Vocals - Ambient Vocals set with AutoMatrix Reverb, Echo at 45, Reverb at 60 * Tracks 17, 18, 19, 20 Sung Vocals - Male Rock Vocals set with Track Echo on Rockabilly, Automatrix Reverb, Panned -3, 3, -2, 3 * Track 21: Intro Vocals (Banana Assassin) - Male Rock Vocals with Auto Wah, Track Echo on Rockabilly, Echo at 75 * Track 22: Spoken, over radio - Male Rock Vocals with Bass Reduction, Amp Simulation * Track 23: Spoken, self-destruct - Male Rock Vocals, Compressor at 20, Automatric Reverb, Track Echo at Bouncer

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